Sunday, July 1, 2012

Ghost Rider: Spirit of Vengeance (2012)

Oh Nicolas Cage. You put me in such a good mood. Every time I see a movie with your ridiculous toupee of the moment, a little flutter in my soul lifts up to spread a smile on my face. With only a moment's hesitation, I reach out to pick up the case, imagining with glee the wonders that await me in this next magical adventure with the world's foremost authority on "uber-acting." The spasms of his face, the high-pitched, off-kilter delivery of his lines, the sudden explosions of yelling incoherently, his oddly maniac giggle...entertainment awaits us.

I was one of the few people who didn't hate the first "Ghost Rider." It wasn't a fantastic film, but I found it reasonably entertaining. And despite whether or not Nicolas Cage was necessarily right for the role of Johnny Blaze, I found his performance genuine and, let's face it, even-keeled as far as his performances usually get. For anyone rolling their eyes at that statement, just think back to "Face/Off."

Yeah. Now remember that in "Ghost Rider," Nicolas Cage is playing a man whose skull is on fire half the movie. And Caster Troy was the more over-the-top performance. Don't tell me the man only has one setting! He's got at least 4!

He's either acting or attempting to implode a man's skull using only the power of his mind.

For that reason, I was actually looking forward to "Ghost Rider: Spirit of Vengeance." In particular I dug the artistic design and vision they were going with, which seemed more realistic and less cartoony than the first one. What I was unaware of was the fact that this film was directed by Mark Neveldine and Brian Taylor, the same team who did "Crank." And while that may have been an odd choice, had I known that before, I would have made more effort to see it in theaters, which I didn't get an opportunity to do.

Man, is it obvious that this was by Neveldine/Taylor. "Ghost Rider: SoV" contains much of the same kind of frenetic, super charged action that could be found in "Crank," although to a much less, PG-13 level extent. And while a hard-R version of this movie would have been awesome, let's face it, Marvel don't roll that way what with tickets sales and all, even though I'm pretty sure the hit to their pockets would be minimal. It's not like anyone saw this movie to begin with.

Also very present is the same style of fourth-wall obliterating humor that was so prevalent in the "Crank" series. There are several "wink at the camera" moments that, to be honest, are pretty jarring. For example, for those who saw the trailer, the much-maligned exchange of dialogue: "What if you have to pee when you're on fire?" followed by Nicolas Cage's response of "It's awesome. It's like a flamethrower" is actually in the film, complete with a cutaway to the Rider standing in some kind of void where he is floating in blackness, back to the audience as a jet of flame shoots from his groin. He then turns his head and nods in an "Oh yeah" moment. Then *BANG* back to the movie. They also do the exact same extreme close ups as the main character flies down the road on a motorcycle in a state of near maniac rage/rapture that "Crank" did. I guess that will be in every Neveldine/Taylor movie.

 Seth McFarlane wishes he could write a cutaway this awesome.

What it all boils down to really is a matter of personal taste of whether or not it will work for you. Me personally? It didn't really bother me. It seemed to fit the tone of the film, which was essentially a big(ger) budget B-movie. And that's fine. I dig that stuff, especially when Mr. Cage is involved. But I can imagine that if you'd never seen "Crank," or weren't familiar with the kind of movie Neveldine/Taylor make, these kind of scenes might seem horribly distracting. Just know that "Crank" got way, WAY sillier than this one.

The story concerns Johnny Blaze hiding in Europe because he doesn't want to be working as the Devil's errand boy. Now, right from the beginning I found it difficult to discern whether or not this movie was a sequel or a retcon. It seems that events from the first film still...could have happened? They aren't ever mentioned, but I suppose they are possible. The real confusing part is right in the introductory storybook-style flashback of how Johnny Blaze made his deal with the Devil. The story is still the same, but the scene where he signs the contract is presented in a totally different way, with no real reason I can see to change it. That along with no mention of anything from the first film makes me think that "Ghost Rider: SoV" is meant to be its own thing, and the first one might as well have never happened.

 This will make people who hated the first "Ghost Rider" happy, but the real question is "Does the second movie do a better job?" I would have to say "yes" for two reasons. The first concerns art design, and the second concerns how Nicolas Cage portrayed the Rider.

The first "Ghost Rider" had a Rider whose skull was a clean white, with a shiny leather jacket and elaborately boned-themed bike. It worked okay, but when Neveldine/Taylor's version of the Rider is on screen, it's clear that there is a much better way to portray Hell's Collection Boy.

Like this.

In "Ghost Rider: SoV," the Rider's skull is charred black, which gives it an air of desiccation and wear. His bike is a cobbled together husk of blackened pipes and gears, much more utilitarian than flashy, and it looks like it's driven a million miles instead of right off the showroom floor. And finally, in a touch I thought was borderline brilliant, when the Rider is out, and flames are licking all around him, his jacket is in a constant state of melting. During any of the long, slow closeups of the Rider, bubbles can be seen slowly rising to the surface of the leather, popping and running down as they melt. It make total sense, makes him look scary, and it's a really cool effect I dug the hell out of. Between the two movies, I'll take the grungy, scary looking one any day.

Secondly, Nicolas Cage plays Johnny Blaze in a much different way than he did before. In this film he's playing it really really tortured. He's in a constant struggle to keep the Rider inside him because he can't stop it from coming out, especially when evil is near. The problem is that he has no control when he becomes the Rider, and basically everyone around him is going to die, something he'd like to avoid. So it makes total sense why a big part of the movie is Johnny Blaze trying to find a way to exorcize himself and get rid of the curse.

And of course this is all played in a deliciously hammy way by one of my favorite hams. Watching Nicolas Cage deliver in a sweaty, face-twitching, barrage of rising falsetto shrieks such awesomely corny lines as "He's scratching at the door! He's scratching at THE DOOOOR-AH!!!!" is exactly why I watch these movies. Magnifique.

I had the same reaction when they cancelled "Arrested Development."

You know, between this, "Drive Angry" and "Season of The Witch," two movies which I really liked a lot, Cage seems to be drawn to this kind of enjoyable schlock. I say more power to him if the entertainment factor keeps up. Now, I would say "Ghost Rider: SoV" is the weakest of those three films, but it's hardly the worst of his filmography.

THE BOTTOM LINE - I can't say with a straight face that "Ghost Rider: Spirit of Vengeance" was a good movie. It was a cheesy, dark, zany, over-the-top Nicolas Cage ham-fest with motorcycles, lots of nicely shot action and a Christopher Lambert cameo. If that sounds like a good time to you, bon anniversaire. Cautiously recommended.

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