The World's End (2013)

Being a huge fan of Edgar Wright's work, going so far as to call "Shawn of the Dead" one of my favorite comedies ever, it goes without saying that "The World's End" was up very high on my list of Most Anticipated films of 2013. Like I do with most movies that I'm really looking forward to, I purposefully kept myself somewhat in the dark about it, going so far as to not even watch the trailer for it. And for some reason it didn't play in front of any film I've seen this year. So I went into "The World's End" with basically a clean slate, only expecting quality based on past experience and the cast.

Thankfully what I ended up getting was, as expected, a very well made film that was exciting, stylish, mysterious, funny and surprisingly heartfelt all at once. And while this was only to be expected since that list of attributes could be slapped on the box of every movie Edgar Wright ever made, it still is worth repeating because it just goes to show how impressive of a filmmaker this guy is. I'll say this right now: There are few directors out there whose works are more consistently entertaining than Edgar Wright. When this guy makes a movie, it's to your benefit to pay attention.

"The World's End" follows the adventures of five friends from school who once had a legendary night of pub crawling in their younger days. Twenty years later the de facto leader of the group, Gary (Simon Pegg), who is now a high functioning alcoholic, attempts to get the group back together to relive that night, which in his mind was the greatest moment of his frankly pathetic life. The rest of the group aren't really into it, having moved on and realized that Gary is a titanic schmuck some time ago, but eventually they all cave in and agree.

Oh yeah. Who wouldn't follow this guy?

Past that point is gets a little weird. Once the pub crawl begins, it becomes clear the town and people in it are a bit different since they were last living there. At first they chalk up to them being older, but pretty soon it starts going an "Invasion of the Bodies Snatchers" route, and things get officially, as the English would put it, cocked up. This leads to an escalation of sci-fi craziness that would seem bizarrely out of place had it not been written in such an effective and exciting manner.

The cast is pitch-perfect and made up of some of the funniest people I can think of. Of course Simon Pegg and Nick Frost are two of my Funniest People In The World in No Particular Order, but Martin Freeman does his best revival of his turn as Watson in "Sherlock" to play the uppity one to hysterical effect as well. What's amazing about Simon Pegg though is how much of a pathetic scumbag he's playing in this, but still manages to be somewhat charming and loveable, and you actually want to see him succeed. I suppose that's just called "acting talent."

The script, penned by Pegg and Wright, is full of the usual rapid fire, too-smart-for-most-American-audiences cleverness that is predominant throughout the Blood and Ice Cream Trilogy of this, "Shawn of The Dead" and "Hot Fuzz," but whereas those films hit the ground running at a thousand miles an hour, "The World's End" takes it's time and is a bit slower paced with both story and jokes. The laughs aren't as densely packed as the other films, which gives it a sense of maturity the others lacked but at tradeoff of not being as memorable or endlessly quotable. That's not to say it isn't funny, which it very much is, but it's not nearly as goofy as the rest of the trilogy.

"Reservoir Dogs" would have been far less tragic (and more drunk) if it had been these guys. About the same amount of profanity, though.

All of Edgar Wright's films have recurring themes, among the most common of them being growing up, whatever that means. And finding out what becoming "an adult" is all about and what it means to each individual person is at the forefront of the story of "The World's End." Ultimately it's about Gary making amends for his past transgressions (kind of) and coming to terms with himself and realizing what it takes for him to be happy while embracing his faults. And ultimately he saves the world by doing so (kind of). And thanks in no small part to some surprisingly powerhouse acting on the parts of both Simon Pegg and Nick Frost, it winds up being a rather moving story.

While it may not reach the levels of side-splitting hilarity as the rest of Edgar Wright's filmography, "The World's End" is a worthy final entry in the Wright/Pegg trilogy. It's always nice to know that no matter how many wretched, unfunny comedies are spewed out en masse from Hollywood, there's at least a few people left who still get it. You just have to go to England to find them.

Check out the trailer. I chose the one that DIDN'T give too much away.

THE BOTTOM LINE - "The World's End" is a delightful romp of drunkenness that is charming in the way that only Edgar Wright and his cast of regulars can manage to be. Despite being more leisurely in pace than "Shawn of The Dead" or "Hot Fuzz," it's the most touching and visually impressive entry in the series. And while it's not as jammed to the brim with gags both overt and subtle as the others, it's still very, very funny. You gotta check this one out.

Shaun of The Dead (2004)

Despite the fact that I am of the opinion that zombies are played out and are officially boring at this point, in an ironic twist one of my favorite comedies remains to this day "Shaun of The Dead," a film that is so genius it manages to make me laugh my fool head off in spite of the zombies within it. It's one of those wonderful movies that gets better the more you watch it, since the jokes contained within are so dense and fast-paced that it's probably close to impossible to catch everything the first, second, or even third time you see it. That combined with the fact that it contains two of my "Three Funniest People in The World in No Particular Order" makes "Shaun of The Dead" a film that I'm always okay with busting out.

The film follows a couple of days in the life of Shaun (Simon Pegg), a 30-something who is a bit of a slacker without much direction in life. After he gets dumped by his girlfriend Liz (Kate Ashfield), he gets very drunk and then decides to get his life sorted out the next day. Unfortunately for Shaun, the next day is when the zombie apocalypse happens.

Who knew, right?

Shaun and his flatmate Ed (Nick Frost) head out to safety, deciding that the best place to go is the Winchester, the pub they are regulars at. On the way there they pick up Liz and her two flatmates, along with Shaun's mother and step-father. Together do their best to survive the onslaught of zombies, as well as their leader Shaun who, despite the best of intentions, has a habit of mucking things up. To be sure, the whole "Go to the Winchester" idea turns out to not be a very good one. This all leads to a finale which gets surprisingly grim given the light, fun-filled tone of the rest of the film, although at the end of the day "Shaun of The Dead" still ends on a relatively happy note. (And song.)

While both Simon Pegg and Nick Frost are comedic geniuses, that wouldn't have mattered much had they not had a great script to work with as well, which they fortunately do. "Shaun of The Dead" is written as tight as a drum, with barely a word wasted or not made to return later as a gag. This includes entire sequences both physical and verbal repeating themselves in different context. Things like a passing exchange during a video game session coming back verbatim during a last stand at the bar makes for extremely rewarding re-watching when you catch it. The iconic "walking to the store" shot playing out twice in extremely different but yet oddly identical ways is probably the best example of that.

And if you notice, he does switch it to a Diet Coke. I love those little touches.

Most likely surprising to most people is that aside from being very funny, "Shaun of The Dead" functions quite well as a straight-up zombie film. All the tropes and standard elements of the genre are present, which makes sense considering its parodic nature, but what's interesting is that were you to take all the humor away the film is actually a far better zombie movie than most legitimate zombie movies manage to be. And I'm not talking a little bit here. I'm talking light years ahead of anything a maestro like Romaro has done in decades.

Perhaps the reason it works is because of the fact that, since it's a comedy, the stone-faced seriousness of the genre along with its fatalism and commentary on human nature is absent. To me, that garbage usually makes zombie films a boring sit, and I have a difficult time caring about any of the characters because generally speaking, in a zombie movie most every human is a terrible person. And if they aren't, by the end it's usually a good bet that they'll have lost most of the humanity they had. Since you know, these movies are very diverse in their plots.

Since "Shaun of The Dead" is free from that crap, and it's okay to actually like the characters since it's a comedy, when bad things happen to them it actually has the shocking side effect of being sad, which the movie plays up to a heartrending degree on occasion. You don't want to see these people get killed (Well, maybe David), which is such an alien reaction for me to have in a zombie movie that it's hard for me to comprehend. Even Ed, the most obnoxious, dense, and insufferable member of the group is a fantastic character who usually ends up being everybody's favorite despite him being a total chump. In fact he's front and center of the second most emotionally charged and tearful scene of the film. And how many zombie movies can you remember which had a death scene you even felt like considering entertaining the notion of crying at in the first place? And that's for the "loser" of the movie.

Damn it, Ed. That was an original pressing.

I would also feel remiss to not mention that the acting in "Shaun of The Dead" is unexpectedly fantastic. And I'm not just talking comedic acting here, although this film is a master's class in the very finest of British humor. While every single actor here is hysterical, even the deathly serious Bill Nighy (I freaking love that guy), there are scenes of such emotional depth, particularly from Simon Pegg, that on occasion it is easy to forget that you're watching a zombie spoof.

You know, it's a difficult thing explaining why you like a certain comedy. Humor is always troublesome to quantify without sounding redundant, so I'll just leave my comments regarding the comedic aspects at "This is one of the funniest movies I've ever seen." It speaks completely to my particular tastes in comedy. Whether or not it will for anyone else is completely dependent on that individual. But seriously, I have a hard time believing anyone could watch this movie and not love it. Unless of course they're deathly offended by zombie gore and gratuitous f-bombs.

I should probably stop there. The more I think about "Shaun of The Dead," the more I want to write. And I don't really want to write a novel here. Just freaking watch it. If you've already seen it, see it again. It gets better each time. If you're like me and have already seen it like a dozen times, well hell. Let's give it another go. You grab the hog lumps and I'll grab the pints. (Might be a bit warm. Cooler's off.)

I'm actually not a huge fan of this trailer, but it's decent I guess. At least it's not made to look like a dumbass American comedy like the American trailer made it out to be.

THE BOTTOM LINE - "Shaun of The Dead" makes my short list not only for favorite comedies, but it's also probably one of my favorite films, period. Like "The Big Lewbowski," it's an infinitely quotable and re-watchable film that somehow, impossibly still manages to get better every time.

Snow White and The Huntsman (2012)

Can one single aspect of a film ruin the entire experience? Is it possible to have one thing, one element of a movie be so bad, so truly retched, and so foul that nothing you can think of can justify its disregard?

I mean, Jar Jar Binks was bad, but can you in all honesty tell me that "Star Wars: Episode I" would have been any better without his inclusion? Well, the answer is "yes," but that doesn't mean that by excluding him, the movie would have suddenly become good as opposed to horrifying me to the very core of my soul. Would "Highlander 2" really have been saved after they took out "Zeist?" The Renegade Cut of the film showed us, "Of course not, you dolt." And Skids and Mudflap weren't in "Transformers 3," and that movie still sucked like a puncture wound to the lung. So it would seem that there's usually a bit more to it than just one thing.

But what insanity could possibly afflict a piece of cinema so completely, so fully, and in such an all-encompassing fashion as to be without hope?

 Oh. Oh god.

You know, I don't even know if I should even start with this. The fact that Kristen Stewart is a bad actress is fairly well done to death, and there's little that can be added to the argument. She's like moldy bread in that aspect. Everyone is pretty much in agreement that it sucks, and is something that should be promptly thrown away. However, there is a inexplicably large fan base of moldy bread enthusiasts who say that it's delicious and totally awesome and underrated.

I don't know why these people like moldy bread, but I have two theories that I'm working on. The first is that they were told by the writers of their favorite baked goods style fiction that moldy bread is totally awesome, and since they are such big fans of baked goods style fiction, they eat up whatever is given to them and say "yum." The second theory I have is that they are stupid.

However, there is a third possibility that there is some kind of benefit to moldy bread I have not discovered yet. I have a plan to test this theory, however. I think we should lock Kristen Stewart in a warm, moist cabinet somewhere until her desiccated remains produce penicillin.

This. This expression is the one she wears every. single. frame. of this film.

Upon seeing the trailer, "Snow White & The Huntsman" looked interesting to me at first. Although I'm a little tired of everything getting a "gritty" makeover lately, it seemed like a cool take on the classic fairy tale. And then Kristen Stewart's vacant, baggy-eyed, blank slate of a face showed up on screen to make me groan and instantly fear seeing it. But, the rest of the cast was made up of some pretty intense talent, so I figured that it was worth giving a shot.

What I ended up getting was an interesting conundrum that was pretty much exactly was I figured was going to happen. The movie was actually pretty good. In fact, everything about it was enjoyable, so much so that I would call it kind of awesome...

That is, everything except the main character.

This is the most egregious example I've seen of a movie with a lead character so wretched that they nearly bring the whole production down around them like a ruptured dam. Kristen Stewart gives a performance so wooden, so lifeless, and so uninterested that it becomes almost unwatchable any time she is on screen. She is a thumbtack in the tasty soup that is "Snow White & The Huntsman." She is the rat poison topping on the films otherwise delectable pizza. She is really is the worst actress in recent memory that I can think of, at least in mainstream Hollywood.

She just threw up in her mouth. She'll use that to convey emotion. She's not sure which one though, so she'll use it to convey ALL OF THEM.

But it wasn't only Stewart's terrible performance that I took issue with. My big issue was the character of Snow White herself, whom I will get to later.

"Snow White & The Huntsman" follows the classic story in a very loose fashion. Many of the basic ideas are still there, with an evil queen taking over the kingdom, and the princess Snow White is the only person who can stop her (more on THAT later). She escapes into exile and is helped by the 7 dwarfs, who join her in her fight to overthrow the queen. The Huntsman is a guy sent by the Queen to bring Snow White to her, but of course he betrays the Queen instantly because he can tell she's probably not the most scrupulous of people. Being an evil overlord of a country tends to lower the chances that people will trust you, after all.

The Queen is played by Charlize Theron, and my goodness, she is amazing. True, she acts hammier than a pig wrapped in bacon performing a Nicolas Cage monologue from "Deadfall," but there is something so intensely scary about her in this movie that she is probably the thing that people are going to remember most about it. One scene in particular that will serve for me as the quintessential moment for her character is the prerequisite monologue she gives during the final confrontation. As she is reviling in her own wickedness, she walks through a fire which begins burning her flesh, only to have it heal as she steps out again, like she's freaking Wolverine or something. It's an awesome effect in a movie with a lot of really good effects.

And mixed with the very well done backstory for the Queen, I had more emotional connection with her than I did for the blank slate that was Snow White.

Speaking of scary, Ian McShane, who is one of my favorite actors is also in "Snow White & The Huntsman," playing one of the dwarfs. I suppose he would be "Doc," although none of them have their old names. I honestly couldn't tell what any of their names were, however, since all of them were speaking in nearly undecipherable Scottish accents. There is a huge amount of talent among them, though. Aside from Ian McShane, Toby Jones, Ray Winstone, and the great Bob Hoskins, another one of my favorites, Nick Frost make up the cast of the dwarfs.

The effects used to make the dwarfs seem smaller also deserves mentioning as it was well done. I don't know if they used actually small people as stand ins or used CG to put the actor's faces over top of them, but it was all quite convincing. I was on the fence about the 7 dwarfs when I heard they were in this, but they ended up being the most enjoyable part of them film aside from Charlize Theron.

That is, until they gave Nick Frost and Ray Winstone a poop joke. Because that's dignified, especially during the climatic final battle scene. Nice timing there, movie.

Chris Hemsworth is also pretty sweet as the Huntsman, doing his best to channel his inner Colin Farrell. So overall the main cast is all quite good, of course with the exception of Stewart, and one other guy who deserves mentioning: Sam Spruell as Finn, the Queen's brother. Now, it's not that Spruell is necessarily bad, so to speak, it's just that...well, there's really no gentle way to say this so I guess I'm just going to have to come out and say it. He looks like Gary Busey dressed up as the Berries 'n Cream Lad.

Seriously, this is distracting.

With the cast being as overall strong as it is, the effects being quite well done, and the story being interesting and generally exciting, "Snow White & The Huntsman" is a pretty fun time, and it's really worth seeing just to see how much the movie does right. But that being said, now is the time I once again talk about the main character, and for once, I'm not going to talk about Kristen Stewart. This is talking about Snow White, and why I couldn't stand her as a character.

The problem with Snow White is that she is only exceptional because the story says she is exceptional. In this story, she is The Chosen One. She is the Kwisatz Haderach. She is Neo. She is any kind of messiah character you want to name. But the thing is, there is nothing exceptional about her besides that fact. And it's quite telling in the fact that she doesn't do one single solitary thing that any normal person couldn't have done (with one rather meaningless exception).

Most of the movie is simply Snow White being dragged around like a cardboard cutout or any kind of trophy you can name, while people struggle and fight and die around her, just so that she can make it. Her ascent to power is done on the backs of other people, without her doing much of anything besides showing up and going along for the ride.

And it's not like the movie didn't give them opportunity. I mentioned earlier the pointless scene were she does something special. It involves her going all Crocodile Dundee on a troll, because for some reason, possibly because it was in the Disney version, she has this spooky connection with animals. Now, do they actually do anything useful with that? Well, for that scene, yes, because she saves Chris Hemsworth's life, but at no point does that come back later. Why couldn't she have called on her animal friends to help in the final battle? A troll would have been a nice addition to their forces. But they don't do anything with the animals, which essentially makes that whole animal thing pointless.

 Hey, maybe you could use one of these things to fight for you. Just saying...

A perfect example of what I'm talking about is a scene early in the movie where a common peasant is captured and brought before the Queen. He manages to stab her in the stomach with a dagger, which she pulls out with no blood spilling from her wound. She is unharmed. Now spoiler alert here, but guess how Snow White kills the Queen? Take a guess.

She stabs her in the stomach with a dagger. Only this time, it works and she dies, simply because of the fact that it was Snow White that did it. This literally is the most significant thing that Snow White does in the entirety of the film, and some muddy backwoods hick did it an hour and a half earlier in the film. Only I guess he wasn't good enough for the movie.

This whole fatalistic view of the characters really rubs me the wrong way. It's so boring, and it's such a cop-out unless there is a character produced that is worthy of that predetermined destiny of "savior." It would be one thing if you told me that John McClane was destined to defeat Hans Gruber at Nakatomi Tower. It would be one thing if you told me that Conan was blessed by Crom to avenge himself against Tulsa Doom. Paul Atreides, Luke Skywalker, and even Harry Potter had a prophecy attached to them. And they all DID SOMETHING TO FULFILL IT.

Snow White just goes along for the ride and takes what everyone else says she should have. Just because the movie says she deserves it. What a crock of exceptionalist crap.

AND CLOSE YOUR DAMN MOUTH, YOU SLACK JAWED HACK!!!

THE BOTTOM LINE - "Snow White & The Huntsman" is not a bad movie, despite my complains about protagonists being worthy of the title of "main character." There is a lot in here to enjoy, and what it does well, it does very well. But be warned, if you can't stand Kristen Stewart, and recognize her for the blight on acting that she is, this will do nothing to change your mind about her. She nearly ruins the entire film. Nearly. It just goes to show how good the rest of it is when it manages to save itself from her awfulness. Recommended.

The Adventures of Tintin (2011)

::sigh::

I remember when Steven Spielberg used to be awesome. Do you? "Jurassic Park?" "Hook?" "Saving Private Ryan?" "Jaws?" "Schindler's List?" "Raiders of The Lost Ark?" Good times.

Now he seems to be a parody of himself. The soul seems to have been sucked out of his work now. Between "A.I." and "Minority Report", "War of The Worlds," "Warhorse"  and most (not me) would say "Kingdom of The Crystal Skull" it seems like you could replace Spielberg with a robot at this point and not notice much difference. To be fair, he has always, and will always have an amazing eye for incredible visuals. The man knows what he's doing, not doubt, but his films seemed to be more heartfelt before. Now it seems he's making movies because that's what he's supposed to do.

Then again, it's amazing he has time to direct anything in between all the movies he produces. I mean, just take a look at the number of things Spielberg has produced on his IMDB page. It's over 100, and a third of them seem to be in the last 5 years. It's insane.

"The Adventures of Tintin" looked like another Spielberg movie that felt very safe and formulaic, and it was. Don't kid yourself - even with all the flashy visuals and action and explosions, this is a kid's movie. Not that there's anything wrong with that by its nature, but I know Spielberg can make good movies, and I feel this kids fluff is tremendously beneath him.

Kids will love this stuff, though. Undoubtedly they will. I cannot take that away from the movie. In those terms, "The Adventures of Tintin" does exactly what it set out to do, and succeeded quite well. There's lots of shiny things to look at, lots of swinging around on stuff, lots of prat-falls and a drunk guy acting really silly because drunk people are hilarious and not to be pitied. In fact, the captain being drunk quite literally saves the day on more than one occasion, and the heroes literally could not have been successful in their endeavors had the captain not been a hopeless lush.

I'll let you draw your own conclusions and thoughts from that.

"Please, Captain. I know your liver is the size of a boogie board and the consistency of a used grease rag, but for the good of the plot and sake of the world, we need you to shotgun that last sixer of Pabst...

So it's a kids movie. Whatever. That's fine. I'll stop griping about it, with the exception of one last thing that just irritated the crap out of me: Tintin speaking his interior monologues and doing the detective work in his head out loud. This...was nails on a chalk-board for me.

Just so you know what I'm talking about, every time Tintin is thinking about something...ANYTHING, he has to work it out in his head, so he does so out loud. Now this is obviously a hold over from its origins as a comic strip, where there were limited ways of showing what he was thinking, but when it's in a movie it just comes off as obnoxious and honestly making Tintin look like he needs some mental help because he seriously looks like a crazy person rambling to himself about nonsense. But how else could they possibly get plot exposition out there for all us dummies in the audience?

Oh right. He could just think it. Naturally.

He's basically this guy.

What blew my mind watching the opening credits (which admittedly were quite well done) was the cast that has been assembled here. Jamie Bell is the lead, but it also has Daniel Craig, the amazing Andy Serkis, freaking Simon Pegg and Nick Frost, Mackenzie Crook (the pirate with the wooden eye in "Pirates of The Carribean"), and Toby Jones! It's produced by Peter Jackson and the screenplay was co-written by Edgar Wright and Joe Cornish, who are some of my favorite people making movies right now.

Holy. Crap. That's an awesome amount of talent. And to be fair, once again giving credit where credit is due, the cast does do a good job.

Of course, you can't really see them. You see, "The Adventures of Tintin" is CG. Why? I have no idea. It's filmed like a normal, traditional movie. Yes, there are stunts going on that are pretty outrageous but it's not like "Who Framed Roger Rabbit," where these things couldn't exist in anything other than animated form. These are all people, and they are made to look fairly realistic, at least as much as the style of the characters can look realistic. It's actually kind of creepy, however. Some things should not be seen in realistic rendering.

What this ends up doing is giving a sense that there was no reason at all for this movie to be CG. Cast it in live-action and it would have still worked. The character models are already made to look a bit like their real-life counterparts. What's the big deal? There was nothing to justify it not being live-action. Heck, it might have made it better in making it not so cartoony and kid-oriented. Or maybe it's because I just want to see one movie where I get to see Andy Serkis' face!

I shall leave on this one final note of rage, because despite the fact that overall, I found "The Adventures of Tintin" to be kind of boring and annoying, there was one thing that legitimately made me mad. The rest of it was just kind of forgettable, but the one thing I can't overlook is the absolute waste of an incredible talent: Cary Elwes.

You see this guy? Right up there? Yeah. He's the man. What? Don't recognize him?

How about now?

Yeah that's what I thought. Cary Elwes is the bomb, and one of my favorite actors. I was so excited when his name appeared in the opening credits. He was listed as "Pilot" on IMDB, which I also had up and running, so I knew when a plane appeared, I would see him.

Well, the plane finally appeared! It gets shot down, and has to make a water landing. Oh man! He's getting out of the plane! He's gonna say something! Ok, he said something! What was it? Was that a French accent? Ok, they're near Morocco, that makes sense. Was that Cary? It sounded like him. Ok, now he's captured. They gonna make him talk? Is Cary gonna get to be all defiant and snooty? Wait, why isn't he saying anything? Why is he in the back of the plane just sitting there? It's been like 10 minutes, why hasn't he had another line? Ok so he's parachuting out of the plane now. And he's gone. Are we going to follow him? What happened to him?

::an hour later...credits roll::

HE NEVER COMES BACK?! WHY DID CARY ELWES ONLY GET ONE GOD DAMN LINE?!?!

One line. I couldn't believe it. You get freaking Westley from "Princess Bride" in your movie and you give him ONE LINE?!?! What's the damn point? How much did he get paid for that? He could have done that role on his lunch break! Wait, screw that. He could have done it in the time it takes to drink a cup of coffee! WAIT, SCREW THAT! He could have done it in the time it takes for him to take a leak!!!

That blatant waste of incredible talent was by far the most upsetting thing to me in this otherwise lukewarm outing, and will probably be the thing I remember most about it, because of the shear incredulous nature of my reaction.

Inconceivable.

Joo kip using dat word...

THE BOTTOM LINE - "The Adventures of Tintin" doesn't suck. But it's a kids movie, and I'm just not interested in that. If you have kids, they'll have a blast, and you won't want to stab yourself in the jugular just to stop the pain, because it's not bad. But I have better things to do with my time. I just don't care, and I want Spielberg to make a movie that floors me again. Is that so much to ask? Recommended, I guess.