Showing posts with label Ray Winstone. Show all posts
Showing posts with label Ray Winstone. Show all posts

Sunday, June 10, 2012

Snow White and The Huntsman (2012)

Can one single aspect of a film ruin the entire experience? Is it possible to have one thing, one element of a movie be so bad, so truly retched, and so foul that nothing you can think of can justify its disregard?

I mean, Jar Jar Binks was bad, but can you in all honesty tell me that "Star Wars: Episode I" would have been any better without his inclusion? Well, the answer is "yes," but that doesn't mean that by excluding him, the movie would have suddenly become good as opposed to horrifying me to the very core of my soul. Would "Highlander 2" really have been saved after they took out "Zeist?" The Renegade Cut of the film showed us, "Of course not, you dolt." And Skids and Mudflap weren't in "Transformers 3," and that movie still sucked like a puncture wound to the lung. So it would seem that there's usually a bit more to it than just one thing.

But what insanity could possibly afflict a piece of cinema so completely, so fully, and in such an all-encompassing fashion as to be without hope?

 Oh. Oh god.

You know, I don't even know if I should even start with this. The fact that Kristen Stewart is a bad actress is fairly well done to death, and there's little that can be added to the argument. She's like moldy bread in that aspect. Everyone is pretty much in agreement that it sucks, and is something that should be promptly thrown away. However, there is a inexplicably large fan base of moldy bread enthusiasts who say that it's delicious and totally awesome and underrated.

I don't know why these people like moldy bread, but I have two theories that I'm working on. The first is that they were told by the writers of their favorite baked goods style fiction that moldy bread is totally awesome, and since they are such big fans of baked goods style fiction, they eat up whatever is given to them and say "yum." The second theory I have is that they are stupid.

However, there is a third possibility that there is some kind of benefit to moldy bread I have not discovered yet. I have a plan to test this theory, however. I think we should lock Kristen Stewart in a warm, moist cabinet somewhere until her desiccated remains produce penicillin.

This. This expression is the one she wears every. single. frame. of this film.

Upon seeing the trailer, "Snow White & The Huntsman" looked interesting to me at first. Although I'm a little tired of everything getting a "gritty" makeover lately, it seemed like a cool take on the classic fairy tale. And then Kristen Stewart's vacant, baggy-eyed, blank slate of a face showed up on screen to make me groan and instantly fear seeing it. But, the rest of the cast was made up of some pretty intense talent, so I figured that it was worth giving a shot.

What I ended up getting was an interesting conundrum that was pretty much exactly was I figured was going to happen. The movie was actually pretty good. In fact, everything about it was enjoyable, so much so that I would call it kind of awesome...

That is, everything except the main character.

This is the most egregious example I've seen of a movie with a lead character so wretched that they nearly bring the whole production down around them like a ruptured dam. Kristen Stewart gives a performance so wooden, so lifeless, and so uninterested that it becomes almost unwatchable any time she is on screen. She is a thumbtack in the tasty soup that is "Snow White & The Huntsman." She is the rat poison topping on the films otherwise delectable pizza. She is really is the worst actress in recent memory that I can think of, at least in mainstream Hollywood.

She just threw up in her mouth. She'll use that to convey emotion. She's not sure which one though, so she'll use it to convey ALL OF THEM.

But it wasn't only Stewart's terrible performance that I took issue with. My big issue was the character of Snow White herself, whom I will get to later.

"Snow White & The Huntsman" follows the classic story in a very loose fashion. Many of the basic ideas are still there, with an evil queen taking over the kingdom, and the princess Snow White is the only person who can stop her (more on THAT later). She escapes into exile and is helped by the 7 dwarfs, who join her in her fight to overthrow the queen. The Huntsman is a guy sent by the Queen to bring Snow White to her, but of course he betrays the Queen instantly because he can tell she's probably not the most scrupulous of people. Being an evil overlord of a country tends to lower the chances that people will trust you, after all.

The Queen is played by Charlize Theron, and my goodness, she is amazing. True, she acts hammier than a pig wrapped in bacon performing a Nicolas Cage monologue from "Deadfall," but there is something so intensely scary about her in this movie that she is probably the thing that people are going to remember most about it. One scene in particular that will serve for me as the quintessential moment for her character is the prerequisite monologue she gives during the final confrontation. As she is reviling in her own wickedness, she walks through a fire which begins burning her flesh, only to have it heal as she steps out again, like she's freaking Wolverine or something. It's an awesome effect in a movie with a lot of really good effects.

And mixed with the very well done backstory for the Queen, I had more emotional connection with her than I did for the blank slate that was Snow White.

Speaking of scary, Ian McShane, who is one of my favorite actors is also in "Snow White & The Huntsman," playing one of the dwarfs. I suppose he would be "Doc," although none of them have their old names. I honestly couldn't tell what any of their names were, however, since all of them were speaking in nearly undecipherable Scottish accents. There is a huge amount of talent among them, though. Aside from Ian McShane, Toby Jones, Ray Winstone, and the great Bob Hoskins, another one of my favorites, Nick Frost make up the cast of the dwarfs.

The effects used to make the dwarfs seem smaller also deserves mentioning as it was well done. I don't know if they used actually small people as stand ins or used CG to put the actor's faces over top of them, but it was all quite convincing. I was on the fence about the 7 dwarfs when I heard they were in this, but they ended up being the most enjoyable part of them film aside from Charlize Theron.

That is, until they gave Nick Frost and Ray Winstone a poop joke. Because that's dignified, especially during the climatic final battle scene. Nice timing there, movie.

Chris Hemsworth is also pretty sweet as the Huntsman, doing his best to channel his inner Colin Farrell. So overall the main cast is all quite good, of course with the exception of Stewart, and one other guy who deserves mentioning: Sam Spruell as Finn, the Queen's brother. Now, it's not that Spruell is necessarily bad, so to speak, it's just that...well, there's really no gentle way to say this so I guess I'm just going to have to come out and say it. He looks like Gary Busey dressed up as the Berries 'n Cream Lad.

Seriously, this is distracting.

With the cast being as overall strong as it is, the effects being quite well done, and the story being interesting and generally exciting, "Snow White & The Huntsman" is a pretty fun time, and it's really worth seeing just to see how much the movie does right. But that being said, now is the time I once again talk about the main character, and for once, I'm not going to talk about Kristen Stewart. This is talking about Snow White, and why I couldn't stand her as a character.

The problem with Snow White is that she is only exceptional because the story says she is exceptional. In this story, she is The Chosen One. She is the Kwisatz Haderach. She is Neo. She is any kind of messiah character you want to name. But the thing is, there is nothing exceptional about her besides that fact. And it's quite telling in the fact that she doesn't do one single solitary thing that any normal person couldn't have done (with one rather meaningless exception).

Most of the movie is simply Snow White being dragged around like a cardboard cutout or any kind of trophy you can name, while people struggle and fight and die around her, just so that she can make it. Her ascent to power is done on the backs of other people, without her doing much of anything besides showing up and going along for the ride.

And it's not like the movie didn't give them opportunity. I mentioned earlier the pointless scene were she does something special. It involves her going all Crocodile Dundee on a troll, because for some reason, possibly because it was in the Disney version, she has this spooky connection with animals. Now, do they actually do anything useful with that? Well, for that scene, yes, because she saves Chris Hemsworth's life, but at no point does that come back later. Why couldn't she have called on her animal friends to help in the final battle? A troll would have been a nice addition to their forces. But they don't do anything with the animals, which essentially makes that whole animal thing pointless.

 Hey, maybe you could use one of these things to fight for you. Just saying...

A perfect example of what I'm talking about is a scene early in the movie where a common peasant is captured and brought before the Queen. He manages to stab her in the stomach with a dagger, which she pulls out with no blood spilling from her wound. She is unharmed. Now spoiler alert here, but guess how Snow White kills the Queen? Take a guess.

She stabs her in the stomach with a dagger. Only this time, it works and she dies, simply because of the fact that it was Snow White that did it. This literally is the most significant thing that Snow White does in the entirety of the film, and some muddy backwoods hick did it an hour and a half earlier in the film. Only I guess he wasn't good enough for the movie.

This whole fatalistic view of the characters really rubs me the wrong way. It's so boring, and it's such a cop-out unless there is a character produced that is worthy of that predetermined destiny of "savior." It would be one thing if you told me that John McClane was destined to defeat Hans Gruber at Nakatomi Tower. It would be one thing if you told me that Conan was blessed by Crom to avenge himself against Tulsa Doom. Paul Atreides, Luke Skywalker, and even Harry Potter had a prophecy attached to them. And they all DID SOMETHING TO FULFILL IT.

Snow White just goes along for the ride and takes what everyone else says she should have. Just because the movie says she deserves it. What a crock of exceptionalist crap.

AND CLOSE YOUR DAMN MOUTH, YOU SLACK JAWED HACK!!!

THE BOTTOM LINE - "Snow White & The Huntsman" is not a bad movie, despite my complains about protagonists being worthy of the title of "main character." There is a lot in here to enjoy, and what it does well, it does very well. But be warned, if you can't stand Kristen Stewart, and recognize her for the blight on acting that she is, this will do nothing to change your mind about her. She nearly ruins the entire film. Nearly. It just goes to show how good the rest of it is when it manages to save itself from her awfulness. Recommended.

Tuesday, March 13, 2012

Hugo (2011)

OK. You know what? No. Just no. I can't do this.

I can't be fair and balanced and objective with this.

This movie...this movie EATS.

And I wouldn't have such a problem with it if it hadn't won FIVE OSCARS. FIVE?! Are you kidding me? The only thing this movie should have been up for was a Nickelodeon Kid's Choice Award!

The only reason anybody gave two rat turds about this movie was the fact that Martin Scorsese directed it. If this had been ANYONE else, it would haven been written off as whimsical fluff on the same level as "Free Willy" or "Babe." Because that's what it is, and screw all you who tell me different.

This is the movie industry trolling you. I'm serious. They got a kids movie full of do-nothing, pointless characters, a story that walks around in circles while dropping plot thread after plot thread until I'm not quite sure WHAT the whole point of it was, pack it to the brim with bright colors and so many sweeping camera moves that even Spielberg would say "take it easy on the majesty," all so we can have keys jangling in our faces with the OOH-LOOK-SHINY in order to distract us from the fact that it's on the same intellectual level as Thomas The God Damn Tank Engine.

And then they get Scorsese to direct it. Give it ALL THE OSCARS.

Watching "Hugo" is like having some kind of steam-punk flavored cotton candy force-fed under your eyelids until it dissolves and works its way into your brain for 2 hours, and I for one felt condescended to. Or at least, I would have felt manipulated if "Hugo" was the least bit effective. But it's not. It tries hard...so desperately hard to take you on a proverbial journey of wonderment and childlike innocence. Oh, it's so whimsical. Just look at the whimsy. Can't you see the whimsy, children? This is ever such a magical adventure we're having today.

Shut up.

They think I'm a sucker over here, but I know lite, brainless fluff when I see it and I'm not buying it! I don't give a crap about whimsical. I don't give a crap about how "magic" you think your movie is. I don't give a crap about the culture you think the movie has just because it's a period piece. And I don't give a crap whether or not you're Martin Scorsese! I don't give a crap about any of this stuff unless you have a story that is worth telling, and characters that I care about!

News flash, "Hugo!" You don't have that! The story is not worth telling because the characters are completely pointless. And as proof, I'm going to write down the cast list of all the characters in the movie with speaking roles and discuss what, if anything, they contribute to the plot. Ready? Let's go!

Asa Butterfield as Hugo Cabret
Now, one would think that the title character is the main character, yes? WRONG. At the beginning of the film, Hugo is most certainly the main character, but as the movie goes on it becomes clear that Georges Méliès is the person the story is really about. Hugo is just along for the ride. And the ride happens to be free because he's EVER SO LOVEABLE. D'aww. A filthy street urchin/thief. Let's adopt him! What about the other orphan who gets sent to the orphanage while kicking and crying for stealing a half-eaten pastry someone threw away? Was he not charming enough for you? Asshole.

Main Contribution: Giving an old dude a robot.

Ben Kinsley as Georges Méliès
Georges Méliès is who this story is really about. In the movie, the famous filmmaker got super depressed after the industry tanked and became a toy maker in a train station. By the end of the movie, because of seeing a movie of his again and getting back his old robot, he has rediscovered his...pride I guess? Evidently this robot meant so much to him that his life was hollow without it. You know, because his loving wife and god-daughter...they're not really important I guess. Asshole.

Main Contribution: Receiving a robot.

Chloë Grace Moretz as Isabelle
She's along for the ride. She's also Hugo's girlfriend I guess. Saddled with some truly bad dialogue including the "I-refuse-to-believe-someone-who-is-such-a-good-actress-would-say-it-that-way" line: "Don't you LIKE books?!"

Main Contribution: Wears a key around her neck.

Sacha Baron Cohen as The Station Inspector
The bad guy, if this movie actually had an antagonist...which it doesn't. Runs around doing pratfalls and being wacky with that damn dog of his. Nothing he does in the entire movie ends up mattering.

Main Contribution: Saves Hugo's life...which wouldn't have needed saving had the Station Inspector not been there in the first place. Pointless.

Jude Law as Hugo's Father
Hugo's deceased dad appears to be the major lynchpin in Hugo's character and a major aspect of the story before the movie just kind of forgets about him and moves on to other things halfway though.

Main Contribution: He dies.


Christopher Lee as Monsieur Labisse
A librarian who directs Hugo and Isabelle to a book with information...where they immediately meet someone right afterwards who tells them far more information than the book could have told them.

Main Contribution: Gives Hugo a book...which Hugo never reads or talks about once. Pointless.

Michael Stuhlbarg as Rene Tabard
This guy actually does something somewhat useful. He tells the kids what Georges Méliès did...which the book would have told them anyways...but he also has a copy of one of his movies, which he shows to Georges at the beginning of the climax of the film. Hugo could have just as easily stumbled across a copy, though. He didn't need Rene. The movie is already full of coincidences as it is. One more wouldn't have been out of place. Pointless.

Main Contribution: Runs a projector.

Ray Winstone as Uncle Claude
A drunk who dies after 5 lines. He was there and gone so fast I didn't even know it was Ray Winstone.

Main Contribution: Gives Hugo a home...in a place he could have lived had he just been homeless from the start. Pointless.

Emily Mortimer as Lisette
The love interest for the Station Inspector...who was a pointless character to begin with. But hey, she's there to show that the bad guy isn't completely evil. Which of course, might have been a useful character arc if the character mattered to begin with.

Main Contribution: Nothing. Pointless.

Helen McCrory as Mama Jeanne
Wife of Georges Méliès who doesn't do a thing. But hey, Helen McCrory played "Whore #2" in "Interview With The Vampire." So I guess that's something. Pointless.

Main Contribution: A tie between making out with Brad Pitt in 1993 and looking a lot like Signorney Weaver.

Frances de la Tour as Madame Emilie and Richard Griffiths as Monsieur Frick
Two bumbling, slack-jawed wastes who spend the whole damn movie awkwardly flirting. Do they do anything useful? TAKE A GUESS.

Main Contribution: Nothing x2.

I just went through the dozen most prominent characters. Nine of them could have been removed from the movie, and the plot would have stayed the same. The only movie with more banal, purposeless characters I think I've ever seen was "Transformers: Revenge of The Fallen." Hell, even in slasher movies the characters -- walking piles of meat as they admittedly are -- possess more purpose than they do in "Hugo." The characters in slasher flicks exist to be killed. Their purpose is to show how scary the bad guy is! The characters in "Hugo" eat up time. Freaking Paris Hilton in "House of Wax" was a more important character than Christopher Lee was in "Hugo." Oh yeah, that's right. I went there.

I can't tell you how sad that makes me.

The wasting of Christopher Lee aside, "Hugo" also squanders the phenomenal talents of Chloë Grace Moretz, who is one of my favorite actresses working right now. It's really amazing how good she is. I didn't know she was in this, but when she popped up I was like "HOLY CRAP! This might get good now!" Sadly, it didn't, and she and her talents are wasted with a boring character and terrible dialogue that you could tell was just acid on her tongue having to say it. The biggest shame is that this will be the movie that most people will have seen her in at this point. Not enough people saw "Kick-Ass" and freaking nobody saw "Let Me In," both of which she should have gotten Oscar nominations for.

No, "Hugo" will be the crap I'll have to bring up when talking to people about Chloë Grace Moretz now. And I just know some dumb-ass will say, "Wasn't that the girl from Harry Potter?"

I just know it's coming.

I could write a novella about all the crap in "Hugo" that just left me shaking my head and asking "why," not only at the characters and plot but the hype and acclaim that this movie received. I found it insulting, actually, when shiny tripe like this gets farted out by a director whom people are terrified of critiquing or questioning, and it gets more awards than Scorsese could load up in a wheelbarrow to take home to put on his shelf of Oscars that he's getting now because "he's due." Meanwhile movies that are genuinely and objectively powerful and challenging like "Red State" are completely ignored because directors like Kevin Smith don't kiss the Academy's collective ass.

Everyone in Hollywood should be ashamed of themselves for letting them get away with it. At this point why don't you just retroactively give "Jumanji" Best Original Screenplay? Crap like this flies but objectively amazing stories like "The Golden Compass" bomb and the sequels to it get axed? It's pathetic.

Oh and one last thing! Why is there not one single god damn person with a French accent IN PARIS!?!?!?
"Fish n' chips 'oy guv'na?"

THE BOTTOM LINE - "Hugo" is on the same intellectual level as any kid's movie starring Robin Williams or Eddie Murphy. And not good ones like "Ms. Doubtfire" or "The Nutty Professor," either. I'm talking "Flubber" here. I'm talking "Shrek" sequels. Just imagine one of those movies written to be really, really pretentious and full of itself. Piece of garbage. Skip it.